Publishing & Gamedev

In Brazil the state assigns the band, and the band decides what your build may contain. We will choose the route, fill the form and tell you what the result forbids.

Japan has no state classification for games, and the mark is still the thing that opens a shelf. We will read your build the way the examiners do and say which band it earns.

Korea rates a game before it is made or distributed, and the band decides who may play it. We will say which body rates yours, what the filing needs and what it costs.

We will work out which parts of your product the law actually protects, put the paperwork under them, and turn every clone into the same short complaint instead of a new investigation.

We will line up your licence, your permits and everything the buyer sees before paying, so the release is not held by a document that was nobody's job until the week of launch.

We will find every paid random reward in your product, check the odds against the build that actually ships, and tell you what has to be disclosed and on which screen.

We will read your build the way the rating questionnaire reads it, answer it from what is actually in the game, and tell you what a stricter rating would cost you.

We will list every part of your product that came from outside the studio, put a document against each one, and prepare the releases and the notice file that close the gaps.

We will find every owner of the material you want to use, ask for the uses you need, and press for a permission that covers the trailer and the stream as well as the game.

We will read your build and your store page against the published review rules before you submit, and hand you the fixes that block a release separately from the ones that only invite a question.

We will find every place a model touches your product, read the terms that actually govern each one, and tell you what that use commits you to and what you can prove.

We will work out which approval route your rights allow, write the requirements your local partners must meet, register the rights contract, and prepare the filing that puts the game in front of the administration.

We will work out what your position actually rests on, price the offer in rights rather than in the advance, and write down what was agreed before anyone drafts a contract.

We will read the draft your publisher sent, tell you in plain words which rights leave you and for how long, and write the clause on generated material to match what your team actually did.